We visited the artist at his studio in Guadalajara to talk about contemplation, paper airplanes, and suspended cars, as well as “El rumor de la discordia” (2026), his new sculpture installed in Madrid’s Plaza del Carmen.
At Galería La Cometa in Bogotá, Glenda León and Luisa Pastor transform clock hands, ledgers, and gold into art to challenge our obsession with measuring everything.
Between Orozco’s mysticism and the artistic vibrancy of the American colony, we chart a course through design, architecture, and gastronomy to discover a metropolis in the midst of change.
We visited the artist at his studio in Guadalajara to talk about contemplation, paper airplanes, and suspended cars, as well as “El rumor de la discordia” (2026), his new sculpture installed in Madrid’s Plaza del Carmen.
At Galería La Cometa in Bogotá, Glenda León and Luisa Pastor transform clock hands, ledgers, and gold into art to challenge our obsession with measuring everything.
From Guadalajara, Claudia Llanza explores the connections between Mexico and Spain that run through the Travesía Cuatro program and the encounter between the paintings of Jorge Méndez Blake and the poetry of Jorge Eduardo Eielson.
Between Orozco’s mysticism and the artistic vibrancy of the American colony, we chart a course through design, architecture, and gastronomy to discover a metropolis in the midst of change.